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Susanne Sachsse The Raspberry Reich
In the years following the pinnacle of New Queer Cinema, the description "aggressively queer" doesn't come up very often. While both Todd Haynes and Gregg Araki graduated to "serious" fare (Far from Heaven and Mysterious Skin, respectively), Canadian artist/photographer/filmmaker Bruce LaBruce (Hustler White, Super 8½ and No Skin Off My Ass, which was reportedly Kurt Cobain's favorite film before he died) held onto the tradition, best exemplified in The Raspberry Reich, a hilarious indictment of sexual politics, the far left and "terrorist chic." Certainly in the same vain as Godard's La chinoise or Fassbinder's The Third Generation, LaBruce presents a hapless group of urban guerrillas, headed by the insolent Gudrun (Susanne Sachsse), attempting to carry on the torch of the Red Army Faction.
The Raspberry Reich is, for those familiar, totally LaBruce: hysterical, brash, fetishistic, porn-y, reflexive and even unexpectedly poignant. In recognizing LaBruce's signature brand of criticism and sympathy, one senses his empathy toward Gudrun's cause which intends to combat capitalism and the heteronormative modes of thought that prevail within it. And yet she's still portrayed as a dictator, an unshakeable creature who speaks in propagandistic slogans ("The revolution is my boyfriend!"), cites direct passages from Raoul Vaneigem's The Revolution of Everyday Life as if they were her own and condemns everything from masturbation, corn flakes and Madonna as being counter-revolutionary. And still, she's not completely oblivious to her own contradictions. At one point, she tells Holger, after instructing him to have sex with fellow comrade Che (Daniel Fettig), that if he doesn't follow her orders she won't have sex with him later that night.
The use of actual sex may ghettoize The Raspberry Reich from a larger audience more than your average gay film (I don't use the term "queer film" because that really doesn't apply much these days; Vicky Cristina Barcelona is queerer than Brokeback Mountain). In my eyes, that's a shame, but really, a film as radical as The Raspberry Reich, like Dušan Makavejev's WR: Mysteries of the Organism from which LaBruce drew considerable inspiration, would never have mass appeal. LaBruce followed The Raspberry Reich in 2008 with the fantastic existential zombie film Otto; or Up with Dead People in 2008, continuing his streak as one of the most exciting voices in aggressively queer cinema.
Preview:
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Duration: 05:19
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With: Susanne Sachsse, Daniel Bätscher, A. Stich, Anton Z. Risan, Dean Stathis, Daniel Fettig, Gerrit, Joeffrey, Ulrike S., Stephan Dilschneider
Screenplay: Bruce LaBruce
Cinematography: James Carman, Kristian Petersen
Country of Origin: Germany/Canada
US Distributor: Strand Releasing
Premiere: 17 January 2004 (Sundance Film Festival)

In the years following the pinnacle of New Queer Cinema, the description "aggressively queer" doesn't come up very often. While both Todd Haynes and Gregg Araki graduated to "serious" fare (Far from Heaven and Mysterious Skin, respectively), Canadian artist/photographer/filmmaker Bruce LaBruce (Hustler White, Super 8½ and No Skin Off My Ass, which was reportedly Kurt Cobain's favorite film before he died) held onto the tradition, best exemplified in The Raspberry Reich, a hilarious indictment of sexual politics, the far left and "terrorist chic." Certainly in the same vain as Godard's La chinoise or Fassbinder's The Third Generation, LaBruce presents a hapless group of urban guerrillas, headed by the insolent Gudrun (Susanne Sachsse), attempting to carry on the torch of the Red Army Faction.
The Raspberry Reich is, for those familiar, totally LaBruce: hysterical, brash, fetishistic, porn-y, reflexive and even unexpectedly poignant. In recognizing LaBruce's signature brand of criticism and sympathy, one senses his empathy toward Gudrun's cause which intends to combat capitalism and the heteronormative modes of thought that prevail within it. And yet she's still portrayed as a dictator, an unshakeable creature who speaks in propagandistic slogans ("The revolution is my boyfriend!"), cites direct passages from Raoul Vaneigem's The Revolution of Everyday Life as if they were her own and condemns everything from masturbation, corn flakes and Madonna as being counter-revolutionary. And still, she's not completely oblivious to her own contradictions. At one point, she tells Holger, after instructing him to have sex with fellow comrade Che (Daniel Fettig), that if he doesn't follow her orders she won't have sex with him later that night.
The use of actual sex may ghettoize The Raspberry Reich from a larger audience more than your average gay film (I don't use the term "queer film" because that really doesn't apply much these days; Vicky Cristina Barcelona is queerer than Brokeback Mountain). In my eyes, that's a shame, but really, a film as radical as The Raspberry Reich, like Dušan Makavejev's WR: Mysteries of the Organism from which LaBruce drew considerable inspiration, would never have mass appeal. LaBruce followed The Raspberry Reich in 2008 with the fantastic existential zombie film Otto; or Up with Dead People in 2008, continuing his streak as one of the most exciting voices in aggressively queer cinema.
Preview:





DOWNLOAD:
Fast Rapidgator Link:
https://rapidgator.net/file/3e9d44362791fece0a10ba97ddd9e995/The__rry_Reich-scenes.avi.html
File size: 58 mb
File type: avi
Resolution: 720x400
Duration: 05:19
(celebrity, movie download, uncut, uncensored scene, naked, nude)
With: Susanne Sachsse, Daniel Bätscher, A. Stich, Anton Z. Risan, Dean Stathis, Daniel Fettig, Gerrit, Joeffrey, Ulrike S., Stephan Dilschneider
Screenplay: Bruce LaBruce
Cinematography: James Carman, Kristian Petersen
Country of Origin: Germany/Canada
US Distributor: Strand Releasing
Premiere: 17 January 2004 (Sundance Film Festival)