Due to various reasons related to the TOKIME magic week, I haven't been able to shoot videos during this period. So, I want to do a livestream and chat with you guys, updating you on my recent situation.
Due to a long time without broadcasting, I almost forgot the settings of the live broadcast room, so the opening was not smooth. There was also a connection interruption in the middle, but with the efforts of the backstage staff, it was quickly fixed.
After extracting all the air, while playing with the sensitive and easily protruding dots of TOKIME, I interacted and chatted with everyone, telling them about the fun things I did last week at DW.
From time to time, I also touch TOKIME's breathing tube, letting her cries enhance the atmosphere.
Later, it was discovered that the vacuum bed had been leaking badly, and it was found to be a problem with the breathing mouthpiece. When exhaling, air would flow into the bed through the gap between the mouthpiece and the mouth.
After changing to a mouthpiece later on, when TOKIME presses hermouth close to the breathing hole, there is no more issue of air leakage.
During the live broadcast, the vibrator suddenly broke down, which affected my mood for a long time. Forcing is one of my hobbies
So, he kept playing with her respiratory opening, inserting his finger to seal it tightly. This sealing method would even prevent the sound from escaping. In this state of silence, he still asked TOKIME to lick his finger, watchingher violently wriggling without uttering a single sound, this scene had a discordant beauty.
In the end, for some reason, the vibrating toy miraculously recovered and immediately allowed TOKIME to take off a wave.
Every time it hits the center, TOKIME will arch its body, as if it has also broken through this layer of latex. Especially after taping over the respiratory hole, the struggling movements become particularly intense.
After a series of actions, TOKIME chatted for a while in the liberated vacuum bed. She had originally planned to go out for an outdoor activity after the livestream, but her physical strength couldn't support it anymore. The outdoor part will be added in a couple of days.
I have watched the live broadcast of training done by Japanese predecessors a long time ago and I really like it. I took advantage of the live broadcast channel to imitate it once.
I didn't expect that such a live broadcast would be more difficult than shooting, probably because of the different ways of playing that are prepared
After looking at the schedule, TOKIME decided to leave work early and take a nap first, otherwise she said she wouldn't have the energy to stay up
In order to prepare faster, TOKIME dressed in rubber clothes and had dinner early, but despite repeated advance preparations, it seemed that there was always something to be done. As a result, the official start was 15 minutes later than the scheduled time
At the beginning, I noticed from TOKIME's movements that she was more nervous than usual during filming and her movements were a bit disordered, so I first stroked her head and let her lick my fingers to get her into a normal state.
After slowly entering the live streaming stage, I found it difficult to do live streaming and shooting at the same time by myself, so I gave up shooting the main film separately and used another camera to capture close-ups of TOKIME
Therefore, the entire mode is biased towards play, and I no longer pay attention to the camera, focusing entirely on playing with TOKIME and occasionally interacting with the audience
TOKIME reached the summit during the first stage of vibration stimulation, so she took a break and spent some time arranging props and chatting
The second stage was a treadmill with high heels, but TOKIME, who had put on a gas mask and a metal neck brace, couldn't see the environment clearly, couldn't control the speed and direction, and fell off the treadmill after a few steps
I'm a little angry here. I asked her to practice more before, but she just played games, so she kept pulling the iron chain on the metal neck bracelet. The swaying of the chain would cause the neck bracelet to tighten around her neck
She took a sponge pad and wanted to make her kneel down, but unexpectedly herfeet collapsed and she fell down onto the pad. The neck brace was ripped apart by the iron chain, and TOKIME's neck was also pulled painfully, causing TOKIME to cry out in pain.
Later, I realized that she was really crying, and tears were streaming down her face
After the second stage of rest, the final stage is the restraint chair, which can be a pleasure for TOKIME
While being shocked, being slapped on the mouth, and being suffocated by the plastic bag, TOKIME had already collapsed on the chair
The audience seemed very interested in this scene, and the number of comments in the live chat room decreased. Maybe they couldn't type with both hands
Finally, after letting TOKIME climb up to the sky to remind everyone to pay attention to the volume, I removed the vibration tool and found the right position to make TOKIME make a shrill cry. Fortunately, the RF headset had a mouthpiece to limit the volume.
The live performance portion that was broadcast when the camera power was exhausted also ended. For the nearly three-hour live broadcast, the edited version was adjusted by cutting out the excess blank space.
After a few words with the audience, let TOKIME, who was left in the restraint chair, say goodbye to everyone, and the live broadcast officially ended
After getting off the chair, TOKIME didn't even bother to take off her head cover and just collapsed on the mat to rest. With heavy breathing, I still asked her to complete the final task, and TOKIME didn't refuse, even though she was weak and in pain, and still dragged herself to get busy
The entire process, from preparation to the process to the final cleanup, is three to four times more work than daily shooting. We will also learn from this experience and optimize the process. We hope to bring you a more interesting experience next time.
