All Worlds Video - There Goes the Neighborhood
Country: US
Studio: All Worlds Video
Cast: Paul Johnson, Brad Benton, Andy Dill, Rod Barry, Deacon Frost, Dillon Press, Chris Bolt, Jay Ross, Phil Philips, Zach Hunter
Director: Rick Tugger
Screenwriter: Rick Tugger
Winner of 5 GayVN Awards including:
Best Supporting Actor (Brad Benton),
Best Screenplay,
Best Music,
Best Non-Sexual Performance (Rowdy Carson) and
Best Sex Comedy
The opening stretch of this good-humored romp, with its Loony-Toons intro music and a wacky sitcom air of exaggerated histrionics amongst the cheerful cast members (plump and juicy hams, all of them) will most likely stretch the limits of your patience and endurance for comical plot-driven
porn. Is this Mayberry, USA or are we ever gonna get to see some puckering rosebud and other assorted sordidness? I assure you, things heat up considerably after this goofy intro.
It�s 1963 and an
erotic beefcake film production company has just moved into a conservative So-Cal neighborhood, igniting all sorts of comic mayhem and sexual turbulence, �60s-style.
Chatty-catty housewives gawk, pry and scheme about scoring a slot in the "period" film the new neighbors are shooting; an ambiguously fey white-bread husband finds himself mysteriously drawn to the colorful new neighbors�
hard bodies, their bubbular booties, their pendulous dicks; an overly fastidious policeman down the street instinctively senses something pornographic is afoot behind locked doors; and soft-core director "Vic" (Paul Johnson) wrestles with
his conscience (and the law) over whether or not
he should risk filming the decidedly hardcore between-the-
takes action that
his foxy actors are so spontaneously prone to engage in.
Johnson, decked out in total-square leisure wear, stands behind an antique movie camera and directs a faux gladiator wrestling match between
red-
hot dark-haired chiseled stud-
fuck Rod Barry (the Master) and beefy
blonde muscle-head Zach Hunter (the slave). Rod and Zach�s on-camera
rough-housing leads to some spontaneous pulse-pounding sexual tension - so Rod orders director Paul to stop filming. A bit of off-camera master-and-servant foreplay ensues, with Rod teasing the kneeling Zach with
his pop-tent (protruding forth between the flaps of
his costume) while yanking on Zach�s chain collar. Rod spins around and spreads
his wiggling
ass, offering a furry, puckering treat for slave
boy Zach to slurp on. Paul, meanwhile, shifts in
his director�s chair, adjusting
his own pop-tent which has newly arisen in the seat of
his pants.
Rod allows Zach,
his hands
bound, to suck and gag on
his lovely uncut bone, which
he authoritatively whacks across Zach�s jaw intermittently between the hearty thrusts of
fucking Zach�s face. Paul inches closer,
his shirt unbuttoned. Rod lets Zach suck on
his foreskin some more, then yanks
him to
his feet, spins
him around and, without hesitation, plunges
his stiff masterly
cock squarely into the slave�s tight
fuck hole and pounds
his ass commandingly. Paul gapes in astonishment, and so did I. Snaps on the sleek camerawork and the crisp editing here, as we catch only subliminal glimpses of the
latex O-ring surrounding Rod�s penetrating shaft. While these
guys are clearly playing safe, the camera angles and the well-timed cutaways here give us the sordid momentary illusion that they�re doing it raw. Very
hot. Not so
hot is the choppily edited climax, the quick-cut remnants of an apparently tardy cameraman�s nearly missed
cum-shot.
Next up: a
cock slurping,
ass munching
threesome in and next to an outdoor pool, with highly delicious Andy Dill - a sculpted, bald, goateed hairy
hunk daddy who wields a mighty bone - and two piggy blow
boys (Chris Bolt and Jay Ross) who fight for sucking position. Interesting musical score here, sort of a crossing of Bernard Herrmann and Henry Mancini by way of Angelo Badalamenti. Though some of the music earlier in the film is completely forgettable, the funky score here (by Gian Franco) really complements the
hot aquatic
sex. Bravo. Not your typical disco-
porn muzak, that�s for sure.
Afterwards, behind a shed, local ambiguously fey prude "Mister Wilson" (Deacon Frost, apparently a fan of Stephen Dorff from the vampire flick Blade) has been espying the poolside buggery while discretely tugging
his tool.
He�s confronted by beefy Dillon Press (a muscular, hairless, bulging-vein�d
hunk with, like, zero body fat). Dillon offers up
his gulping
throat in lieu of the topsoil with respect to where Mister Wilson should aim
his freshly pumped ejaculate. Simulated
swallowing ensues, but "Mister Wilson" drools equally for Dillon�s
cock, which
he ultimately sucks like a champion whore. Wilson also hungers for Dillon�s puckering hair hole, which
he munches on greedily. Muscular Dillon soon makes Wilson take
big cock up
his virgin bum for a wild
ass-pounding while propped up against the rickety shed door.
Wilson gets a designer
facial, too: a gooey mustache that might prompt us to create a new keyword qualifier for nasal
cumshots.
Next, Paul and gnarly surfer Brad Benton flirt with each other at the beach. In no time at all, they�re off to the cabana, where Paul and Brad expertly
deep-blow, finger-probe and slam-bang each other in an
eye-popping, sweat-pouring, totally versatile
fuck-and-suck inferno. If their feverish onscreen devouring of each other is any indication, these
guys really have the hots for one another!
A
final group orgy involves the overly inquisitive cop (hunky
brunette Phil Philips) who bullishly tries to bust up the film production but, because the actors all think the copper�s uniform is just a costume, the
man in blue gets pounced upon and gang banged ferociously in a rowdy, animalistic, sphincter-violating, sperm-gushing jamboree that leaves the unruly officer slathered in freshly churned
man chutney.
He puts up a bit of a fight at
first� but the power of
cock compels
him to succumb to
his cravings, the law be damned.
Admittedly, it took a while for me to succumb to the peculiar vibe of this bouncy and comical but oh-so-naughty
fuck-fest. Despite the recurrent silliness, there�s some seriously intense
fucking and sucking going on in this �hood - and the boyz are absolutely sperm-a-licious. There goes another juicy load!
Length: 1.41 GiB
Duration: 1h 49mn 49s 80ms
Video: AVC at 1 700 Kbps, Aspect: 720 x 480 (1.334) at 29.970 fps
Audio: AAC at 128 Kbps, Infos: 2 channels, 44.1 KHz
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