Les possedees du diable - Lorna The Exorcist (1974)
The businessman Patrick
takes his wife Marianne and daughter Linda on a vacation. Patrick's old
friend Lorna shows up just in time for Linda's 18th birthday and
takes demonic, sexual possession of the
girl's body and soul.
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Duration: 21:36
Year: 1974
Director: Jesus Franco
Writer: Jesus Franco, Robert de Nesle, Nicole Guettard
Cast:
Guy Delorme, Jacqueline Laurent, Lina Romay, Pamela Stanford
Country: France
Genre: Horror
Spoilers ahead
The name Jesus Franco can provoke mixed reactions in horror fans. To some
he represents the absolute nadir of the genre, throwing in as much sleaze and titillation as possible simply to provoke any kind of reaction in the viewer. To others
he has a ragged kind of brilliance.
His films are always
rough-edged and not everything works, but at least
he’s willing to experiment and try to create something unique. I tend to fall somewhere in the middle, for every startling films there’s at least one that makes you want to claw out your
eyes in frustration. Lorna is probably
his finest film, bizarre, filled with
his usual excess of sexuality, but more disturbing than anything else
he ever made. You might be forgiven for taking against the film based on the title alone. It displays the worst kind of cash-in tendencies often associated with horror. If there’s one thing the character of Lorna isn’t, it’s an exorcist. It’s clearly intended to cash in on the then recent box-office success of William Friedkin’s The Exorcist, but ignore the misleading title and focus on the film itself and you might be in for a demented treat.
Patrick (
Guy Delorme) and
his wife, Marianne (Jacqueline Laurent), take their daughter Linda (Lina Romay) on holiday to a resort in the South of France to celebrate
her 18th birthday. While there
he meets again with the powerful supernatural being, Lorna (Pamela Stanford). Lorna and Patrick made a deal years earlier, Lorna would ensure
he received wealth and power, if
he turned Linda over to
her when
she turned 18. Refusal to do so could see Patrick’s family left in a similar state as one of Lorna’s earlier victims, stuck in an insane asylum, maddened by being left on the verge of permanent ecstasy. As Patrick holds out on
his side of the bargain, Lorna begins to take over
his family, driving them all further into sexual depravity. It’s really another take on the Faust
legend, but this time there’s hardcore
lesbian sex and softcore straight
sex. Among its more memorable scenes, Romay is savaged with a giant
dildo, which Stanford then proceeds to lick clean of blood, and then, in one of the single most bizarre scenes I’ve ever witnessed, crabs crawl out of Marianne’s vagina. That’s not a euphemism.
She doesn’t have a sexually transmitted disease. Actual crabs crawl out of
her vagina and across the floor of the bedroom. Even with that scene, I’m not as convinced as some critics that the film is quite as taboo-breaking as it seems. It definitely is an inspired and provocative piece of cinema with an intoxicating, dreamlike, air, even if some of the creative decisions leave you scratching your head and wondering what the hell Franco was thinking.
So it’s sleazy, but disturbing, which is really what the film needs to be, especially as it feels like nothing if not a trip into Franco’s most depraved sexual depths. Most of the cast are fine in their roles, but the main attraction is Romay. Often an actress held in higher regard for
her beauty and
her willingness to disrobe and perform hardcore
sex scenes than
her thespian talents,
she gives
her best performance here as Linda.
She begins the film as a wide-eyed innocent, but we see
her slow decline into sexual frenzy and madness and Romay convinces absolutely. It’s a shame
she didn’t get more roles that allowed
her to
show exactly what
she was capable of.
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pussy licking, explict scenes,
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