Uncensored and Uncut Explicit Sex Scenes

Déborah François Mes chères études ALL HOT SCENES!!! Film Also know as Student Services

Gorgeous Deborah Francois fully nude in Mes cheres etudes

Plot Summary:
Laura is a 19-year-old university freshman who desperately wants to do well in school. She works a part-time job but cannot make ends meet. One evening in which she is short of funds, she answers a personal ad online by Joe, 57, who seeks a female student for tender moments. The pay is 100 euros per hour. Laura pledges to do this just once, and three days later, she goes to a hotel room with Joe. And then her spiral begins.

Preview:






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(blindfolded, forced ,Puffy, Nipple, Slip, hairy, fuck,Student, Studentin, 19, sucht, Studentki, Services)

File size: 639 mb
Resolution: 1280x720
Duration: 13:49

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Suburb Murder (2 forced sex scene - Cult Movie) Heung Gong gaan saat kei ngon (Hong Kong, 1992)



Category III films are often dismissed by mainstream movie lovers as being mindless, tacky and distasteful, existing solely for dubious titillation. Although there is a fair bit of truth to this statement, the genre has produced a number of genuinely good efforts, including a handful of gritty serial killer films (most notably “The Untold Story”) and several films which succeed mainly through demented enthusiasm and remarkably deranged plots (“A Chinese Torture Chamber Story” is probably the best example). However, for every film like these, there are unfortunately a dozen like “Suburb Murder”.
(previews video)

This really is the bottom of the barrel, and it’s impossible to imagine anyone enjoying a film so wretched that it fails on every conceivable level. Honestly, I have no idea what type of viewer “Suburb Murder” was aimed at, as it will undoubtedly be a let down for gorehounds, sleaze fans, and anyone expecting to see something that even resembles a competently made film. This is the kind of trash that gives Category III a bad name, or at least helps to perpetuate the myth that the genre is incapable of producing anything worth watching.
(previews video)
The plot of “Suburb Murder” is standard stuff, following the same flashback structure used by countless superior films. The story starts with the gruesome discovery of a woman’s raped and mutilated corpse. The police soon have the main suspect, Kang (actor King-Kong Lam, whose name is far better than his acting), in custody, and set about interrogating him. As Kang breaks down, we see the harsh life he has led, from an abused childhood, through a youth of petty crime, a brief redemption, and finally to the tragic events that led to his psychotic attack.
(previews video)
The approach of driving a film from the point of view of the perpetrator is not a new practice, and it has been used quite successfully in Cat III films to create fuller, more realistic portraits of killers (such as “A Lamb in Despair”). However, “Suburb Murder” is utterly unconvincing, mainly due to the fact that it tries, albeit in staggeringly incompetent fashion, to work in the best of the rarely compatible worlds of extreme sleaze and serious psychology. Although the film is too badly made to have been effective had it instead concentrated on one or the other, the approach of attempting to generate sympathy for the killer, then throwing in some truly awful scenes of carnage, results in something absolutely incoherent, offensive, and unforgivably dull.
(previews video)
The flashbacks to Kang’s childhood are simplistic and clumsy scenes of him being locked in the bathroom, called a bastard, and other cruel acts. Although unpleasant, there is no real effort made to convince the viewer that any of this is having any affect on the psycho-to-be. Following this, we see Kang dabbling in some minor criminal activity, again with absolutely no sense that any violence or madness is developing.
(previews video)
Finally, when the viewer is on the verge of falling asleep, the film subjects its only vaguely sympathetic character, Kang’s girlfriend, to a horrible and drawn out rape sequence. This is used as a highly tenuous justification for Kang raping and killing a random woman in a scene that is incredibly offensive, from both a moral and filmic viewpoint. Sorry if this spoils the plot for any interested viewers, but believe me, if you decide to watch “Suburb Murder” then you’re pretty much damned from the second you hit ‘play’ on your DVD machine.
(previews video)
Is it even worth mentioning the film’s technical merits, or rather the lack thereof? Briefly, the direction by Kin Ping Cheng is incredibly amateurish, badly paced and lacking in redeeming features of any kind. The acting is sub-porno and wholly unconvincing. The few scenes of blood are without any impact, and even if you find this kind of sleaze exciting, there’s very little skin on show. I think that pretty much covers it.
Hopefully, I’ve managed to get across just how bad “Suburb Murder” really is. Luckily, it’s a pretty obscure entry into the Category III genre, so viewers at least need not be worried about stumbling upon it by mistake. I don’t have one single good thing to say about this film, and coming from a self confessed Category III fan, that’s a damning indictment indeed.

(previews video)


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File size: 92 mb
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Resolution: 640 x 368
Duration: 06:13
 
Susan George - Straw Dogs HD VERSION

One of the all time classic scenes. Shes raped at night on her couch, and she likes it. Her bra and panties are savagely and quitely ripped off her. The hight point is the lovely bounce and shiver her breast have as, I think that its Dustin Hoffman, keeps scaring the jitters out of her. The movie is peppered with other shots of her boobs as she disrobes and shows herself off to the workers. (MrKeithTalent)


Although this film was done in 1971, Amy (Susan George) is at home reading, while her husband (Dustin Hoffman) is away supposibly hunting with the workmen who are building his barn next to the house. They take him out, and drop him off, while one of the workmen returns to the house, and once he is inside, by Amy opening the door, he forces her, and rapes her. This is a great film for 1971, in which, nudity or particial nudity was watched closely.
Amy is slapped a few times, her top is ripped open, and her bra and later her panties are both ripped off, and she is raped. Her breasts are in full view, nice scene, nice coverage of her face, and breasts. Just when she thinks its over, another one of the workers, who is friends with the first one, comes in, and takes his turn, while the first holds her down, while he does her from behind. Very forceful, facial expressions are very nice, and very believable as far as a rape scene. (Eye4Beauty)

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(straw dogs, dustin hoffman, susan george, forced, sex)

File size: 368 mb
Resolution: 1920x1040
Duration: 03:20
File Type: Avi
 
Susanne Herrmann – Unser Lehrer Doktor Specht – Pension Kleinholz





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File Resolution: 720 x 576
Duration: 02:41 min

(academy, drawing, art model, nude, full naked, teacher, students, university, school, classroom)
 
Susanne Sachsse The Raspberry Reich


In the years following the pinnacle of New Queer Cinema, the description "aggressively queer" doesn't come up very often. While both Todd Haynes and Gregg Araki graduated to "serious" fare (Far from Heaven and Mysterious Skin, respectively), Canadian artist/photographer/filmmaker Bruce LaBruce (Hustler White, Super 8½ and No Skin Off My Ass, which was reportedly Kurt Cobain's favorite film before he died) held onto the tradition, best exemplified in The Raspberry Reich, a hilarious indictment of sexual politics, the far left and "terrorist chic." Certainly in the same vain as Godard's La chinoise or Fassbinder's The Third Generation, LaBruce presents a hapless group of urban guerrillas, headed by the insolent Gudrun (Susanne Sachsse), attempting to carry on the torch of the Red Army Faction.

The Raspberry Reich is, for those familiar, totally LaBruce: hysterical, brash, fetishistic, porn-y, reflexive and even unexpectedly poignant. In recognizing LaBruce's signature brand of criticism and sympathy, one senses his empathy toward Gudrun's cause which intends to combat capitalism and the heteronormative modes of thought that prevail within it. And yet she's still portrayed as a dictator, an unshakeable creature who speaks in propagandistic slogans ("The revolution is my boyfriend!"), cites direct passages from Raoul Vaneigem's The Revolution of Everyday Life as if they were her own and condemns everything from masturbation, corn flakes and Madonna as being counter-revolutionary. And still, she's not completely oblivious to her own contradictions. At one point, she tells Holger, after instructing him to have sex with fellow comrade Che (Daniel Fettig), that if he doesn't follow her orders she won't have sex with him later that night.

The use of actual sex may ghettoize The Raspberry Reich from a larger audience more than your average gay film (I don't use the term "queer film" because that really doesn't apply much these days; Vicky Cristina Barcelona is queerer than Brokeback Mountain). In my eyes, that's a shame, but really, a film as radical as The Raspberry Reich, like Dušan Makavejev's WR: Mysteries of the Organism from which LaBruce drew considerable inspiration, would never have mass appeal. LaBruce followed The Raspberry Reich in 2008 with the fantastic existential zombie film Otto; or Up with Dead People in 2008, continuing his streak as one of the most exciting voices in aggressively queer cinema.

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Duration: 05:19

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With: Susanne Sachsse, Daniel Bätscher, A. Stich, Anton Z. Risan, Dean Stathis, Daniel Fettig, Gerrit, Joeffrey, Ulrike S., Stephan Dilschneider
Screenplay: Bruce LaBruce
Cinematography: James Carman, Kristian Petersen
Country of Origin: Germany/Canada
US Distributor: Strand Releasing

Premiere: 17 January 2004 (Sundance Film Festival)
 
Uma Turman Spectacular breasts! "Dangerous Liaisons" (1988)

Without a doubt, Uma would have to have the most amazing breasts I have ever seen! She was only 17 when this scene was shot, yet they are so full and perfect it's hard to believe. This gets 4 stars because Uma is also stunning.
Preview:



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File size: 7 mb
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Duration: 00:49

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Una secondina in un carcere femminile "Frauen für Zellenblock 9" Karine Gambier, Howard Vernon, Susan Hemingway, Aida Gouveia, Esther Studer



Women in Cellblock 9 (Original title Frauen für Zellenblock 9) is a 1977 Swiss film directed by Spanish director Jesus Franco, starring Howard Vernon and Karine Gambier. Its main theme is women in prison.

Unlike most of Franco’s work this remains banned in the United Kingdom due to large amounts of sexual violence, and as one of the lead actresses in many of the sex scenes was 16 at the time the film was made. —wikipedia



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Resolution: 720x400
Duration: 00:37

Svizzera
1977
75 Min
Color
1.85:1
Inglese
 
Victoria Abril Si Te Dicen Que Cai

Man, I thought I was on cloud nine when I saw Victoria Abril doing hardcore sex in Pour Elle. Little did I know 20 years ago she was pregnant, totally nude, had rough sex and then got peed on in Si te dicen que caí (1989).

My favorite porn genre? Pregnant women trying to get double pregnant :) My favorite fetish? Women peeing and getting pissed on without being pissed off :) So imagine how happy I was to discover this movie. Some women look like elephants when with child. Victoria Abril looked beautiful, full of life and sex. No wonder the young man in the movie tried to give her another baby. In her anus.

Too bad this is a VHS rip. A dvd doesn't seem to exist. I am crossing my balls and hope to see a remastered release of this film one day soon, while little Johnny can still get up in the morning.
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File size: 63 mb
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Resolution: 636x384
Duration: 06:38

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Also Known As
Aventis Spain (Catalan title)
If They Tell You I Fell (undefined)
Sodan hymy Finland
 
Vintage Retro Catfight in bed

Preview:




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File size: 33 mb
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Duration: 02:38

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Viva Bianca "Spartacus" Another hot Scene !!!!



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File size: 109 mb
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Resolution: 720x406
Duration: 07:22

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